KKN Gurugram Desk | Phule, directed by veteran filmmaker Anant Mahadevan, released in theatres today (April 25, 2025), and it is not just a film — it is a statement, a tribute, and a reminder of what cinema can and should be.

In a time when loud action, sensational drama, and commercial formulas dominate the screen, Phule takes a different path. It reaches deep into India’s reformist history and brings to life the story of Jyotirao Phule and Savitribai Phule, the pioneering figures who challenged caste, gender, and social orthodoxy in the 19th century.

Plot Summary: A Journey of Resistance and Reform

Set in colonial-era Maharashtra, Phule narrates the life and struggles of Jyotiba Phule, a social reformer who, along with his wife Savitribai Phule, laid the foundation for women’s education and fought against caste-based discrimination.

The film opens with Savitribai in her later years, reflecting on their journey. We are then taken back in time to see how Jyotiba defied the norms of his time by first educating his own wife and later establishing schools for girls and children from oppressed castes—actions that were considered sacrilegious in a deeply patriarchal and caste-ridden society.

The narrative weaves through moments of deep conflict, sacrifice, and resilience — showing how their mission was not only revolutionary but life-threatening.

Review: A Film with a Soul, Not Just a Story

Phule is not a conventional film — and that’s where its strength lies.

There is no action, no dramatic suspense, no glossy glamour, and yet, the film grips you with the power of its ideas, its performances, and its sheer honesty.

The film’s pace is intentionally slow, echoing the rhythm of the 19th century. But that slowness is not dull — it is meditative. It lets you absorb the societal horrors of child marriage, widow humiliation, and untouchability — and the courage it took to challenge them.

This is a cinema that awakens, not just entertains.

Performances: National Award-Worthy Artistry by Pratik Gandhi and Patralekha

Pratik Gandhi as Jyotirao Phule

Once again, Pratik Gandhi proves why he is one of the most versatile actors of our generation. Known for his breakthrough in Scam 1992, Gandhi sheds every modern trace and embodies Jyotiba Phule with complete immersion — from youth to old age.

Every frame he appears in carries dignity, conviction, and an intense internal calm that mirrors Jyotiba’s philosophy. His transformation — physical and emotional — is seamless, making him a strong contender for the Best Actor category in national awards.

Patralekha as Savitribai Phule

In one word: stunning.

Patralekha’s portrayal of Savitribai is fearless, heartfelt, and soul-stirring. She doesn’t act — she lives the role. Whether it’s standing up to threats, teaching young girls, or expressing quiet defiance, every expression of hers feels rooted and powerful.

In one particularly memorable scene, when a man threatens to kill Jyotiba if she doesn’t stop teaching girls, Patralekha slaps him after narrating a metaphorical story — a defining moment that marks the beginning of women empowerment in the film.

She deserves every award possible, and more importantly, wider recognition from the film industry that has often overlooked her immense potential.

Direction and Screenplay: Anant Mahadevan Delivers a Masterpiece

Anant Mahadevan, known for his previous film The Storyteller, strikes gold again with Phule. His direction is mature, respectful, and restrained, yet powerful. He doesn’t preach; he presents.

Co-written with Muaazzam Beg, the screenplay balances historical detail with emotional depth. There’s no unnecessary dramatization, no forced dialogue — just real, lived experiences rendered with artistic sensitivity.

Music: Emotionally Resonant and Thoughtfully Composed

The music, composed by Rohan-Rohan (Rohan Gokhale and Rohan Pradhan), is evocative and perfectly embedded into the narrative. It’s not just background — it’s storytelling through sound.

From soulful folk melodies to protest chants, the score enhances key moments of the film. You’ll likely find yourself searching for the soundtrack long after leaving the theatre.

Production Design and Cinematography: Period Perfection

The visual tone of Phule is earthy, rustic, and true to its time. The costumes, set design, and lighting reflect mid-19th century Maharashtra with great authenticity.

Cinematographer Sudhir Palsane does an excellent job of capturing both intimate emotional beats and the larger societal context — using soft lighting and static frames to bring a documentary-like realism to the film.

Social Impact: Why Phule Matters Today

The film ends with a powerful dialogue:

“It’s easiest to divide people in the name of religion. That’s why educating them is most important.”

This line resonates deeply in today’s socio-political climate, where polarization continues to grow.

Phule is not just about history — it’s about present-day India. It reminds us that the rights we take for granted — women’s education, equality, justice — were earned through immense struggle.

If your daughter is going to school today, if your wife or mother is literate and empowered, it’s because people like Jyotirao and Savitribai Phule dared to dream differently — and fight for it.

Is Phule for Everyone?

Not every viewer will instantly connect with the film’s deliberate pacing and lack of commercial tropes. But those who seek substance, history, and purpose in cinema will find Phule profoundly rewarding.

This film should be shown in schools, screened in universities, and discussed in civil society forums. It’s that important.